{"id":7891,"date":"1980-07-21T11:00:00","date_gmt":"1980-07-21T18:00:00","guid":{"rendered":"http:\/\/estreetshuffle.com\/?p=7891"},"modified":"2026-09-22T18:41:33","modified_gmt":"2026-09-23T01:41:33","slug":"roll-of-the-dice-take-em-as-they-come","status":"publish","type":"post","link":"https:\/\/estreetshuffle.com\/index.php\/1980\/07\/21\/roll-of-the-dice-take-em-as-they-come\/","title":{"rendered":"Take &#8216;Em as They Come"},"content":{"rendered":"<p>Sometimes you start with a title, and it leads you to a shoulda-been new wave classic.<\/p>\n<p>After the Darkness Tour ended, Bruce spent much of the first half of 1979 in his home studio writing and working out new material that would eventually lead to\u00a0<em>The River<\/em>. Bruce would often record himself at work using an ordinary cassette recorder, and some of those early cassettes somehow escaped into the wild. (One can but wonder how.)<\/p>\n<p>One of those early escapees reveals Bruce working on a song called &#8220;Take &#8217;em as They Come,&#8221; but it&#8217;s not the song we know from\u00a0<em>Tracks<\/em>. In fact, it&#8217;s not even a song at all&#8211;there are barely any lyrics. (Don&#8217;t try to strain yourself understanding what Bruce is singing&#8211;when he&#8217;s working on a melody, he often just &#8220;bluffs&#8221; the lyrics, mumbling, scatting, or just throwing out lines in a stream of consciousness.)<\/p>\n<p>But it&#8217;s clear that Bruce was enamored by the phrase &#8220;take &#8217;em as they come&#8221;&#8211;it&#8217;s pretty much the only thing we can make out clearly and repeatedly.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"758\" height=\"427\" src=\"https:\/\/www.youtube.com\/embed\/abBvLmXOsYY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>From the melody in that clip above, it sounds like Bruce originally had something a bit more serious and pensive than what he eventually ended up with, but it didn&#8217;t last long. He soon moved on to a more upbeat melody&#8211;and while this one wouldn&#8217;t last either, it would soon find a home attached to a song that <em>would<\/em> make it onto <em>The River<\/em>.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"758\" height=\"427\" src=\"https:\/\/www.youtube.com\/embed\/n-t7wGtd4j4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>We don&#8217;t know exactly when Bruce landed on the final arrangement for &#8220;Take &#8217;em as They Come,&#8221; but we do know he recorded the backing track later that same year, in December 1979. His vocal, though, didn&#8217;t come until several months later, so it&#8217;s possible that Bruce was still experimenting and cross-pollinating during that time.<\/p>\n<p>When Bruce finally did combine that infectious backing track with some dark lyrics and the hook he&#8217;d grown so attached to, the result was magic: &#8220;Take &#8217;em as They Come&#8221; easily ranks among the very best of Bruce&#8217;s power pop catalog. Take a listen and hear for yourself:<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"758\" height=\"427\" src=\"https:\/\/www.youtube.com\/embed\/8T7zz6dVJu4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>That is one seriously fine pop song. No one would ever associate Bruce with new wave, but I can&#8217;t help but suspect that &#8220;Take &#8217;em as They Come&#8221; would have been a radio smash had it been released on\u00a0<em>The River<\/em> in late 1980. But it wasn&#8217;t to be&#8211;&#8220;Take &#8217;em&#8221; spent almost two decades in the vault before Bruce finally released it on his <em>Tracks<\/em> compilation in 1998.<\/p>\n<p>The released version has\u00a0<em>such<\/em> a great hook and backing track, however, that you can listen to it countless times, sing along at the top of your lungs, dance to it without a care if you&#8217;re lucky enough to catch a rare outing in concert&#8230; and yet never once realize:<\/p>\n<p><em>This is one dark song.<\/em><\/p>\n<p>Seriously. Listen carefully to it. As Springsteen often does, this is a case of a bright pop melody that belies some somber lyrics and sinister imagery. We start in a dreamscape with two frightened lovers on the run, pursued by a threatening stranger:<\/p>\n<p style=\"padding-left: 40px;\"><em>Last night I dreamed we was running through the outlands<\/em><br \/>\n<em>Tears streaming, your pretty face all a wreck<\/em><br \/>\n<em>I held your daddy&#8217;s gun in my trembling hands<\/em><br \/>\n<em>And down the highway another stranger comes<\/em><br \/>\n<em>You gotta take &#8217;em baby when they come<\/em><\/p>\n<p>That line&#8211;&#8220;take &#8217;em <em>when<\/em> they come&#8221;&#8211;it&#8217;s not the easygoing refrain it appears to be. It&#8217;s a battle cry&#8211;a declaration of intent to hold one&#8217;s ground, defend the one you love from any threat, and take them down before they take you. The chorus says they&#8217;ll take them <em>as <\/em>they come, but the verses make it clear that <em>as<\/em> really means <em>when<\/em>, and <em>take<\/em> means <em>remove<\/em><em>. <\/em>It&#8217;s not a coincidence that the gun in his dream belongs to his lover&#8217;s father&#8211;our narrator has cast himself as the protector. And because it&#8217;s a dream, we can rest easy that it&#8217;s just symbolism.<\/p>\n<p>Or can we? Our narrator&#8217;s awake now, ready to head out into the night. But his attitude&#8217;s the same&#8211;he&#8217;s ready for a fight. He expects one, in fact, and he encourages his girl to hide a switchblade in that best dress of hers:<\/p>\n<p style=\"padding-left: 40px;\"><em>Little girl put on your best dress<\/em><br \/>\n<em>&#8216;Cause we&#8217;re going out on the town tonight<\/em><br \/>\n<em>Better bring along your switchblade<\/em><br \/>\n<em>&#8216;Cause for sure some fool&#8217;s gonna wanna fight<\/em><br \/>\n<em>You&#8217;ve got to take &#8217;em baby as they come<\/em><\/p>\n<p>We&#8217;ll never learn his backstory, but this is a man who clearly sees life as a never-ending fight, and he believes he is justified for taking up the gauntlet. Whether his girl was with him from the start or joined him along the way, he&#8217;s grateful for his partner in crime and is doing his best to convince her that they&#8217;re on the right path, even if it&#8217;s a dark one:<\/p>\n<p style=\"padding-left: 40px;\"><em>But God save the rider in the black night<\/em><br \/>\n<em>Save the man who taught that it was right<\/em><br \/>\n<em>To do what they have done, girl<\/em><br \/>\n<em>To become what we have become<\/em><br \/>\n<em>You gotta take &#8217;em baby when they come<\/em><\/p>\n<p>He&#8217;s rationalizing, to be sure: If they&#8217;re going to survive, if they&#8217;re going to continue to live the life they&#8217;ve chosen, they&#8217;ve got to strike first&#8211;and it&#8217;s okay, because the law of the street says that&#8217;s the right thing to do.<\/p>\n<p>The song takes a turn here, and we learn that our anti-hero isn&#8217;t reassuring his girl&#8211;he&#8217;s losing her.<\/p>\n<p style=\"padding-left: 40px;\"><em>Little girl, gone are the days<\/em><br \/>\n<em>Faded away into a clear blue night<\/em><br \/>\n<em>And all the vows that we made<\/em><br \/>\n<em>Lie shattered and broken in the morning light<\/em><br \/>\n<em>You gotta take &#8217;em baby when they come<\/em><\/p>\n<p>It&#8217;s possible to read that verse as an implication that these two are working through some kind of infidelity, but I think the vows Bruce refers to aren&#8217;t the ones they made to each other, but rather the ones they made together, as a couple, about the life they wanted to build for themselves.<\/p>\n<p>This is not the life she wanted, though, and not the one he promised. It&#8217;s taking a toll on their bond, but he&#8217;s learning the wrong lesson from it. So desperate is he to protect her, to preserve her, that he doesn&#8217;t realize he&#8217;s the one causing the harm.<\/p>\n<p style=\"padding-left: 40px;\"><em>I know your heart is breaking<\/em><br \/>\n<em>I can feel it too, girl<\/em><br \/>\n<em>Though my finger on the trigger&#8217;s shaking<\/em><br \/>\n<em>Here I swear to you, girl<\/em><\/p>\n<p>Whether you read the song literally or metaphorically, what&#8217;s clear is that he truly views life as the two of them against the world, and when you truly live that way, you go down a dark and lonely road of isolation.<\/p>\n<p style=\"padding-left: 40px;\"><em>If I could take all your sorrow<\/em><br \/>\n<em>So that you&#8217;d never cry, girl, or be blue<\/em><br \/>\n<em>Come tomorrow, girl<\/em><br \/>\n<em>What I&#8217;d do for you, little one<\/em><br \/>\n<em>I swear I&#8217;ll take &#8217;em baby when they come<br \/>\n<\/em><\/p>\n<p>That last line is as chilling as any in Springsteen&#8217;s catalog. What lengths will our anti-hero go to for his love? We can only shudder and wonder.<\/p>\n<p>But we can&#8217;t end a discussion of &#8220;Take &#8217;em as They Come&#8221; without mentioning the brilliant false ending: as the guitars fade, Max holds the beat&#8211;and holds, and holds, and holds&#8211;until the band finally returns and carries the song into the night. It&#8217;s more than a clever device&#8211;it underscores the narrator&#8217;s determination to never let his guard down, to always be on watch, to never stop moving.<\/p>\n<p>It&#8217;s a brilliant ending to a powerful song.<\/p>\n<hr \/>\n<p>Bruce reunited the E Street Band shortly after releasing his\u00a0<em>Tracks<\/em> box set, and especially during the early legs of the tour, his outtake collection provided the E Street Band with a lot of new material to supplement their classics.<\/p>\n<p>&#8220;Take &#8217;em as They Come&#8221; was one of the earlier tracks to debut, coming out to play for the first time on June 15, 1999 in Offenbach. That first performance was just a bit too plodding, though.<\/p>\n<div id=\"v-wGZfQBl3-1\" class=\"video-player\"><iframe title='VideoPress Video Player' aria-label='VideoPress Video Player' width='758' height='426' src='https:\/\/videopress.com\/embed\/wGZfQBl3?hd=1&amp;cover=1&amp;loop=0&amp;autoPlay=0&amp;permalink=1&amp;muted=0&amp;controls=1&amp;playsinline=0&amp;useAverageColor=0&amp;preloadContent=metadata' frameborder='0' allowfullscreen data-resize-to-parent=\"true\" allow='clipboard-write; presentation'><\/iframe><\/div>\n<p>The band would get better as time went by, but for reasons I can&#8217;t guess, Bruce all but retired the song after the Reunion Tour. He&#8217;s only played it twice since, once on the Rising Tour, and once almost a decade later on the Wrecking Ball Tour&#8211;thanks to a diligent, persistent, fan who absolutely refused to give up asking for it.<\/p>\n<p>And that last time, at Hyde Park&#8211;they\u00a0<em>nailed<\/em> it (even if Bruce truncated the false ending). Enjoy that performance (captured on video, no less) below.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"758\" height=\"427\" src=\"https:\/\/www.youtube.com\/embed\/CuvU0sd6Fh0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>Bonus:\u00a0<\/strong>For years before the release of\u00a0<em>Tracks<\/em>, a bootleg version of &#8220;Take &#8217;em as They Come&#8221; circulated among collectors. It&#8217;s pretty close to the released version, but the last verse is different&#8211;more poetic, but also more ambiguous. Take a listen:<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-7891-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/estreetshuffle.com\/wp-content\/uploads\/2019\/03\/D2Track12-Take-Em-As-They-Come.mp3?_=1\" \/><a href=\"https:\/\/estreetshuffle.com\/wp-content\/uploads\/2019\/03\/D2Track12-Take-Em-As-They-Come.mp3\">https:\/\/estreetshuffle.com\/wp-content\/uploads\/2019\/03\/D2Track12-Take-Em-As-They-Come.mp3<\/a><\/audio>\n<p><strong>Take &#8217;em as They Come<\/strong><br \/>\n<strong>Recorded:<\/strong> December 5, 1979 (backing track), April 10, 1980 (vocals)<br \/>\n<strong>Released:\u00a0<\/strong><em>Tracks<\/em> (1998)<br \/>\n<strong>First performed:<\/strong> June 15, 1999 (Offenbach, Germany)<br \/>\n<strong>Last performed:<\/strong> July 14, 2012 (London, England)<\/p>\n<p>\u00a9 April 13, 2019<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A classic Springsteen formula&#8211;dark lyrics paired with a power pop melody&#8211;results in a shoulda-been new wave classic. Insights and great performances inside.<\/p>\n","protected":false},"author":1,"featured_media":8071,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3623,3],"tags":[1108,188],"class_list":["post-7891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-river","category-roll-of-the-dice","tag-take-em-as-they-come","tag-tracks"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- 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