{"id":6175,"date":"2018-11-30T06:00:16","date_gmt":"2018-11-30T13:00:16","guid":{"rendered":"http:\/\/estreetshuffle.com\/?p=6175"},"modified":"2023-01-01T08:21:05","modified_gmt":"2023-01-01T16:21:05","slug":"roll-of-the-dice-garden-state-parkway-blues","status":"publish","type":"post","link":"https:\/\/estreetshuffle.com\/index.php\/2018\/11\/30\/roll-of-the-dice-garden-state-parkway-blues\/","title":{"rendered":"Roll of the Dice: Garden State Parkway Blues"},"content":{"rendered":"<p>Before &#8220;Rosalita (Come Out Tonight)&#8221; and &#8220;<a href=\"https:\/\/estreetshuffle.com\/index.php\/2022\/01\/22\/roll-of-the-dice-kittys-back\/\">Kitty&#8217;s Back,<\/a>&#8221; before even &#8220;<a href=\"https:\/\/estreetshuffle.com\/index.php\/2021\/09\/24\/roll-of-the-dice-thundercrack\/\">Thundercrack<\/a>,&#8221; there was &#8220;Garden State Parkway Blues&#8221; &#8212; Bruce&#8217;s prototype for the epic show-stopping, song-changing, band-vamping showcase that brings his main sets to their will-it-ever-end end.<\/p>\n<p>Because its\u00a0<em>such<\/em> a long song (thirty freaking minutes!), unrecorded and raw, it&#8217;s tempting to dismiss &#8220;Garden City Parkway Blues&#8221; as early self-indulgence or an excuse for an extended jam session.<\/p>\n<p>But to do so would be a mistake for any Springsteen scholar, for &#8220;Garden State Parkway Blues&#8221; not only provides remarkably transparent insight into Bruce&#8217;s contemporary influences, it also rewards even a casually attentive listener with the seeds of songs that he wouldn&#8217;t write for years or even decades to come.<\/p>\n<p>I&#8217;m not kidding.<\/p>\n<p>Let&#8217;s take a listen, but first an important note: because the song is so long, and because there are so many notable passages to discuss, I&#8217;m going to repost the same video several times below&#8211;each time with a different timestamp bookmark, however, so you can easily jump to the place I&#8217;m discussing. Bruce never recorded the song in the studio (that we know of), but we&#8217;re fortunate enough to have a wonderful quality recording of a Steel Mill performance from 1970 to use as reference.<\/p>\n<p>If you have the time, start by listening to the entire song and see how many other songs you hear echoes of.<\/p>\n<div id=\"v-K8rRLDke-1\" class=\"video-player\"><iframe title='VideoPress Video Player' aria-label='VideoPress Video Player' width='758' height='426' src='https:\/\/videopress.com\/embed\/K8rRLDke?hd=1&amp;cover=1&amp;loop=0&amp;autoPlay=0&amp;permalink=1&amp;muted=0&amp;controls=1&amp;playsinline=0&amp;useAverageColor=0&amp;preloadContent=metadata' frameborder='0' allowfullscreen data-resize-to-parent=\"true\" allow='clipboard-write; presentation'><\/iframe><\/div>\n<p>We start with a casual riff, before Vini&#8217;s powerful drums kick in around 0:45, and the rest of the band shortly after. Bruce enters with his vocals&#8230;<\/p>\n<p style=\"padding-left: 30px;\"><em>Got a woman lives across the track<\/em><br \/>\n<em>Whoa lady won&#8217;t you come rub my back<\/em><br \/>\n<em>Yeah you know I love her<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>I got a woman live across the town<\/em><br \/>\n<em>Whoa pretty woman won&#8217;t you show &#8217;em how to put&#8217;em down, know I dig it now<\/em><br \/>\n<em>Show &#8217;em how to put &#8217;em down, know that I dig it<\/em><br \/>\n<em>shows &#8217;em how to put &#8217;em down, you know that I dig it<\/em><\/p>\n<p>&#8230;and for a while we&#8217;re in catchy but relatively unremarkable territory until around 2:00, where we have our first jam.<\/p>\n<p>And then around the three-minute mark, the band picks up the pace and crescendos, landing with a &#8220;<em>Good morning!<\/em>&#8221; and a shift into what sounds almost like a different song.<\/p>\n<p>When the band and vocals resume, we suddenly realize: Bruce has constructed a song <em>very<\/em> similar in content and structure to &#8220;A Day in the Life&#8221; by The Beatles.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"758\" height=\"427\" src=\"https:\/\/www.youtube.com\/embed\/UYeV7jLBXvA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>(That classic song was brand new at the time: The Beatles released it on <em>Sgt. Pepper&#8217;s Lonely Hearts Club Band<\/em> in 1967, and Bruce most likely wrote &#8220;Garden State Parkway Blues&#8221; in 1969 (his first known performance of the song is from that year). It is\u00a0<em>extremely\u00a0<\/em>likely that it was at least a subconscious influence, and almost certainly an overt one.)<\/p>\n<p>Seriously, take a listen:<\/p>\n<p style=\"padding-left: 30px;\"><em>Vitamin B1, Niacin<\/em><br \/>\n<em>Five percent iron, how can I help but win?<\/em><br \/>\n<em>My very best friend, when I get up in the morning<\/em><br \/>\n<em>Whoa my Kellogs Corn Flakes are my very best friend<\/em><br \/>\n<em>And I don&#8217;t have to look very hard<\/em><br \/>\n<em>&#8216;Cause right inside&#8217;s your very special 3D baseball card<\/em><\/p>\n<p>(Hey, I didn&#8217;t say &#8220;Garden State Parkway Blues&#8221; was remarkable for its literary depth, did I? Luckily, Bruce doesn&#8217;t devote all thirty minutes to waxing poetic about breakfast cereal.)<\/p>\n<p style=\"padding-left: 30px;\"><em>When I get up in the morning and I say &#8220;Well goodbye hon&#8221;<\/em><br \/>\n<em>Now you make sure the kids don&#8217;t forget to take their lunch&#8221;<\/em><br \/>\n<em>I clean myself up and I stumble out the door<\/em><br \/>\n<em>Into my garage and <strong>I jump into my old Ford<\/strong><\/em><br \/>\n<strong><em>But the damn thing it don&#8217;t wanna start<\/em><\/strong><br \/>\n<em>But I don&#8217;t care, what do I care?<\/em><br \/>\n<em>It&#8217;s really got a heart<\/em><\/p>\n<p>Hello there, &#8220;<a href=\"http:\/\/estreetshuffle.com\/index.php\/2018\/08\/17\/roll-of-the-dice-one-step-up\/\">One Step Up<\/a>.&#8221; Did you catch that 1970 echo of a song that Bruce wouldn&#8217;t write and record for another 17 years?<\/p>\n<p>But wait, there&#8217;s more: right before the five-minute mark, we get our first faint hint of a familiar riff&#8230; but only for a few seconds. It&#8217;ll be back, but first we have the introduction of our theme, and the next instance of Bruce wearing an influence on his sleeve.<\/p>\n<p style=\"padding-left: 30px;\"><em>I got the Garden State Parkway Blues<\/em><br \/>\n<em>Early in the morning, gets you without warning<\/em><br \/>\n<em>Going to the job, fighting off the road hogs<\/em><br \/>\n<em>Punch in at nine, punch out at five\u00a0<\/em><br \/>\n<em>Punch in at nine, punch out at five<\/em><br \/>\n<em>Punch in at nine, punch out at five<\/em><br \/>\n<em>Punch in at nine, punch out at five<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>But boss he thinks I&#8217;m crazy<\/em><br \/>\n<em>And says &#8220;Son, why are you so lazy?<\/em><br \/>\n<em>And if you won&#8217;t leave me alone, I&#8217;m gonna mosey on home<\/em><br \/>\n<em>Ain&#8217;t no, yes, no, no son of a bitch&#8221;<\/em><br \/>\n<em>Punch in at nine, punch out at five<\/em><br \/>\n<em>Punch in at nine, punch out at five<\/em><br \/>\n<em>Punch in at nine, punch out at five<\/em><br \/>\n<em>Punch in at nine, punch out at five<\/em><br \/>\n<em>Punch in at nine, punch out at five<\/em><br \/>\n<em>Punch in at nine, punch out at five<\/em><br \/>\n<em>Punch in at nine, punch out at five<\/em><br \/>\n<em>Punch in at nine, punch out at five<\/em><br \/>\n<em>Punch in at nine, punch out at five<\/em><\/p>\n<p>Bruce clearly had nightmares about nine-to-five work even then. But beyond the context, does the increasingly manic and desperate escalation of the &#8220;punch in at nine, punch out at five&#8221; remind you of another song?<\/p>\n<p>Take a listen to another contemporary hit around the time Bruce wrote &#8220;Garden State Parkway Blues.&#8221;<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"758\" height=\"427\" src=\"https:\/\/www.youtube.com\/embed\/hnzHtm1jhL4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>&#8220;They&#8217;re Coming to Take Me Away, Ha-Haaa!&#8221; was a 1966 novelty hit, peaking at #3 on the Billboard Hot 100 and #1 on the Cash Box Top 100. It&#8217;s likely Bruce had it in mind when writing (and certainly performing) this segment of the song. (That&#8217;s drummer Vini Lopez really getting into character on the backing vocals.)<\/p>\n<p>At the six-minute mark, the song transforms again. Now, we&#8217;re in a cool jazz club, and Bruce resumes the blues:<\/p>\n<p style=\"padding-left: 30px;\"><em>Well I work all day, I make terrible pay<\/em><br \/>\n<em>I get home and I just can&#8217;t get to sleep<\/em><br \/>\n<em>Yeah my woman gives me something, Lord, that got my mind hummin&#8217;<\/em><br \/>\n<em>Oh but it don&#8217;t work I&#8217;m just too weak<\/em><br \/>\n<em>I got electric bills, doctor bills, baby bills, I don&#8217;t know<\/em><br \/>\n<em>Just about everything but a\u00a0dollar bill<\/em><\/p>\n<p>(that&#8217;s a pretty clever line)<\/p>\n<p style=\"padding-left: 30px;\"><em>And I haven&#8217;t even paid my rent yet<\/em><br \/>\n<em>I got 12 more payments on my car<\/em><br \/>\n<em>Six more on the guitar\u00a0<\/em><\/p>\n<p>(a bit of a meta moment)<\/p>\n<p style=\"padding-left: 30px;\"><em>Yeah now my mama wants a new dress, ah what a damn mess<\/em><br \/>\n<em>Don&#8217;t know what I&#8217;m gonna do<\/em><br \/>\n<em>But I&#8217;m sick and tired of hearin&#8217; about all that damn bills<\/em><br \/>\n<em>I&#8217;m tired about worrying about it<\/em><br \/>\n<em>They&#8217;re goin&#8217; to hell<\/em><br \/>\n<em>Yeah!<\/em><br \/>\n<em>Alright<\/em><br \/>\n<em>Hey!<\/em><\/p>\n<p>And now we&#8217;re in our second major jam. Listen carefully, though, and you&#8217;ll hear more faint echoes of a\u00a0 future classic, especially around the 8:50 mark.<\/p>\n<p>Another change-up comes our way now:<\/p>\n<p style=\"padding-left: 30px;\"><em>Well I don&#8217;t know where I&#8217;m goin&#8217; and I don&#8217;t understand but that&#8217;s alright<\/em><br \/>\n<em>Because the only thing I feel is the touch of your hand in the night<\/em><br \/>\n<em>Cars on the parkway they pull up and stare<\/em><br \/>\n<em>Ask where I&#8217;m goin&#8217; and I tell &#8217;em that I&#8217;m there<\/em><br \/>\n<em>Yeah, and I just don&#8217;t even care<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>The people I meet are all hip to the latest scene<\/em><br \/>\n<em>They sit around reading Rolling Stone magazine<\/em><\/p>\n<p>(That&#8217;s a remarkably early reference to\u00a0<em>Rolling Stone&#8211;<\/em>the magazine only debuted barely two years before this performance.)<\/p>\n<p style=\"padding-left: 30px;\"><em>I ask how they can sit so sweetly serene<\/em><br \/>\n<em>While there&#8217;s thousands of places that they have never seen<\/em><br \/>\n<em>Oh they have never been<\/em><br \/>\n<em>Goin&#8217; back, goin&#8217; back, goin&#8217; back<\/em><\/p>\n<p>That whole passage, by the way&#8211;from &#8220;cars on the parkway&#8221; through\u00a0 &#8220;they have never seen&#8221;&#8211;is\u00a0<em>very\u00a0<\/em>reminiscent of another <em>Sgt. Pepper<\/em> track:<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"758\" height=\"427\" src=\"https:\/\/www.youtube.com\/embed\/naoknj1ebqI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><span class=\"text-info\">Jam time again!<\/span><\/p>\n<p>And at 11:44, there it is again&#8230; that naggingly familiar riff. And again at 12:53&#8230; what <em>is<\/em> that song?<\/p>\n<p style=\"padding-left: 30px;\"><em>Signs on the highway don&#8217;t mean nothing<\/em><br \/>\n<em>Two-eyed monsters keep on coming<\/em><br \/>\n<em>Don&#8217;t know where I&#8217;m goin&#8217; but I just keep running<\/em><br \/>\n<em>Away, away<\/em><\/p>\n<p>This is a relatively strong passage, not just for its metaphor, but for the way it brings the road-blues part of the song to a climax before Bruce gets all introspective-like. But first, Steel Mill goes ethereal as our narrator zones out on his long drive. Is that a recorder we hear?<\/p>\n<p style=\"padding-left: 30px;\"><em>You know life ain&#8217;t so easy, life ain&#8217;t always so sweet<\/em><br \/>\n<em>When you got nowhere to go, nothing to eat<\/em><br \/>\n<em>You got holes in your shoes, clear on through to your feet<\/em><br \/>\n<em>Sleeping on the damn cold cement floor, but no place else to sleep<\/em><br \/>\n<em>Sure can be a drag sometimes, oh it just ain&#8217;t no fun<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>You know I used to tell myself<\/em><br \/>\n<em>Oh some day you&#8217;re gonna be driving a, a big <strong>Cadillac<\/strong><\/em><br \/>\n<strong><em>Oh so shiny and black\u00a0<\/em><\/strong><\/p>\n<p>I see you, &#8220;<a href=\"http:\/\/estreetshuffle.com\/index.php\/2020\/07\/23\/roll-of-the-dice-cadillac-ranch\/\">Cadillac Ranch<\/a>!&#8221; Thought you could sneak by under Bruce&#8217;s breath, didn&#8217;t you? But no&#8211;we caught you, making your first lyrical appearance a full decade before we&#8217;d next hear you.<\/p>\n<p style=\"padding-left: 30px;\"><em>And you&#8217;ll be attending all them special business office luncheons<\/em><br \/>\n<em>And have a pretty secretary to sit on your lap<\/em><br \/>\n<em>But as I got older I just didn&#8217;t want that<\/em><br \/>\n<em>Whoa as all the years came on I felt old anyway, babe<\/em><br \/>\n<em>Yeah I always wanted to travel, oh, Europe and France<\/em><br \/>\n<em>Watch the changing of the guards at Buckingham Palace<\/em><br \/>\n<em>Go on to Sweden, find out what their tanning secret is<\/em><\/p>\n<p>Because we don&#8217;t have a studio recording to compare it to, it&#8217;s quite possible that this extended section is a semi-ad-libbed interlude a la &#8220;Sad Eyes&#8221; in &#8220;<a href=\"https:\/\/estreetshuffle.com\/index.php\/2022\/05\/14\/roll-of-the-dice-backstreets\/\">Backstreets<\/a>.&#8221; It would explain the inconsistent rhyming scheme and occasional clumsy lyric (&#8220;<em>Sleeping on the damn cold cement floor, but no place else to sleep&#8221;<\/em>), as well as the seemingly stream-of-consciousness rambling.<\/p>\n<p style=\"padding-left: 30px;\"><em>You said you&#8217;ll do all them things you wanted to do sometime<\/em><br \/>\n<em>Well there&#8217;s a young cowboy &#8211; I always wanted to be a cowboy &#8211; lives on the range<\/em><br \/>\n<em>Maybe I&#8217;ll take a trip on down to Spain<\/em><br \/>\n<em>Always wanted to be like Douglas Fairbanks Junior<\/em><br \/>\n<em>Fighting all them pirates on the Spanish Main<\/em><br \/>\n<em>With that fancy shirt, vest, my own clipper ship<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>Well maybe I&#8217;ll get myself a black leather jacket<\/em><br \/>\n<em>And a big Harley Davidson motorcycle yeah<\/em><br \/>\n<em>Just like Sonny Barger<\/em><br \/>\n<em>Think I&#8217;ll have to get myself a sawed-off pool cue too, to meet the occasions<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>And when I&#8217;ve done all the things that I would like to do<\/em><br \/>\n<em>Maybe I&#8217;ll take one last trip<\/em><br \/>\n<em>Go off, up to never never land<\/em><br \/>\n<em>Have tea with the Lost Boys, Tinkerbell, Peter Pan<\/em><br \/>\n<em>You know I always wanted to learn how to fly<\/em><br \/>\n<em>You know I always thought I, I could do it if, if I try, I&#8217;ve always thought about it<\/em><br \/>\n<em>Oh but travellin&#8217; ain&#8217;t no fun if you gotta travel alone<\/em><br \/>\n<em>Sure do feel good to get that one<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>Yeah I&#8217;m gonna dream, oh yeah<\/em><br \/>\n<em>I don&#8217;t wanna hear about my bills<\/em><br \/>\n<em>How many men killed in Vietnam<\/em><\/p>\n<p>And then&#8211;finally!&#8211;that riff we&#8217;ve been hearing periodically throughout returns and breaks wide open at 21:46:<\/p>\n<p>Now it&#8217;s unmistakable: what we&#8217;ve been hearing threaded throughout the song is a\u00a0<em>very<\/em> early version of what would someday become the instrumental track for &#8220;Kitty&#8217;s Back.&#8221; Bruce uses it to take us home, his lyrics transforming from the mundane to the romantic (with some very, um, strong vocals from Vini accompanying him):<\/p>\n<p style=\"padding-left: 30px;\"><em>Gonna take it one more time around<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>Well he gets up in the morning as the sun&#8217;s about to rise<\/em><br \/>\n<em>and with his guitar singing he goes down upon the green hillside<\/em><br \/>\n<em>He sings about a land he said he seen where there&#8217;s never any night<\/em><br \/>\n<em>And sunlight soldiers dance and sing before your very eyes<\/em><br \/>\n<em>Sing it to me!<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>(Well his father is the sun and his mother is the sky, yeah)<\/em><br \/>\n<em>(And today he&#8217;s to be wed to the wind, he knows not to reason why)<\/em><br \/>\n<em>For he is the mountain child<\/em><br \/>\n<em>For he is the mountain child<\/em><br \/>\n<em>Yeah, yeaaaah, yeah yeah yeah yeah<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>In his cloudy chariot he takes his brand new bride<\/em><br \/>\n<em>On into the house of stone down upon the green hillside<\/em><br \/>\n<em>There they stay for a year and a day, hands held side by side<\/em><br \/>\n<em>They&#8217;ll conceive of a daughter who&#8217;ll be the rain to clean your dusty mind<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>And when the dew has fallen down upon the earthy home<\/em><br \/>\n<em>They&#8217;ll set the sail on a clipper ship, never to return<\/em><br \/>\n<em>On into the blood red horizon where the fire of love still burns<\/em><br \/>\n<em>And the beauty of the perfect love will turn and turn and turn<\/em><br \/>\n<em>And the beauty of the perfect love will turn and turn and turn<\/em><br \/>\n<em>You know the beauty of the perfect love turn and turn and turn<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>He gets up in the morning as the sun&#8217;s about to rise<\/em><br \/>\n<em>And with his guitar singing he go down upon the green hillside<\/em><br \/>\n<em>Sings about a land he said he seen where there&#8217;s never any night<\/em><br \/>\n<em>And sunlight soldiers dance and sing before your very eyes<\/em><br \/>\n<em>And sunlight soldiers dance and sing before your very eyes<\/em><br \/>\n<em>And sunlight soldiers dance dance dance before your very eyes<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>Na na na na na na&#8230; oh can&#8217;t you hear &#8217;em singing<\/em><br \/>\n<em>Na na na na na na&#8230; can&#8217;t you hear &#8217;em singing<\/em><br \/>\n<em>Na na na na na na&#8230; can&#8217;t you hear &#8217;em singing<\/em><br \/>\n<em>Na na na na na na&#8230; oh you hear &#8217;em singing<\/em><br \/>\n<em>Na na na na na na&#8230; oh yeaah<\/em><br \/>\n<em>(Na na na na na&#8230;)<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>I&#8217;m a happy man, yes I am<\/em><br \/>\n<em>I wanna bang yeah, make us feel so good<\/em><\/p>\n<p>There are those who have argued that this section of the song is actually an altogether different one, named &#8220;Sunlight Soldiers&#8221; for its recurring metaphor. There&#8217;s certainly some merit to that argument&#8211;lyrically and tonally, there&#8217;s nothing very bluesy about the final minutes of the song.<\/p>\n<p>But the recurring &#8220;Kitty&#8221; riff that unites the segments argues for consideration of it as a single song, and I tend to agree. And although the final section of the song has its own structure, you can clearly hear Bruce reaching for the same type of outtro that he would nail a few years latter in &#8220;Kitty&#8217;s Back.&#8221;<\/p>\n<p style=\"padding-left: 30px;\"><em>Listen to rhythm of the band, bring the rhythm from your head through your toes up into your hands<\/em><br \/>\n<em>Listen to rhythm of the band, bring the rhythm from your head up your nose and down through your hands<\/em><br \/>\n<em>Listen to rhythm of the band, bring the rhythm from your head to nose through your hair through your head<\/em><br \/>\n<em>Listen to rhythm of the band, yeah whoa<\/em><br \/>\n<em>Ok ready, oh stop!<\/em><br \/>\n<em>Na na na na na&#8230;<\/em><br \/>\n<em>See if you can do it by yourself now<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>Listen to rhythm of the band, bring the rhythm from your head through your toes on into your hands<\/em><br \/>\n<em>Listen to rhythm of the band, bring the rhythm on down<\/em><br \/>\n<em>We&#8217;re gonna come and take you for one more ride now<\/em><br \/>\n<em>So get ready now<\/em><br \/>\n<em>We&#8217;re gonna take you for one more ride<\/em><br \/>\n<em>So fasten your seatbelts, &#8217;cause we&#8217;re gonna fly, hey!<\/em><\/p>\n<p><span class=\"text-info\">The Kitty riff returns with a vengeance as the band plays out and brings our epic journey to a close. <\/span><\/p>\n<p><span class=\"text-info\">Whew!<\/span><\/p>\n<p>What are we to make of &#8220;Garden State Parkway Blues&#8221; looking back? It&#8217;s mottled and disjointed, but lighthearted and ambitious at the same time. It&#8217;s also a fascinating glimpse into Bruce&#8217;s contemporary influences and future songwriting. For those (like me) who study the evolution of Bruce&#8217;s craft with fascination, &#8220;Garden State Parkway Blues&#8221; is an essential listen.<\/p>\n<p><strong>Garden State Parkway Blues<\/strong><br \/>\n<strong>Never recorded or released<br \/>\nFirst performed:<\/strong> September 20, 1969 (Richmond, VA)<br \/>\n<strong>Last performed:<\/strong> October 17, 1970 (Long Branch, NJ)<\/p>\n<p>Looking for your favorite Bruce song? Check our <a href=\"http:\/\/estreetshuffle.com\/index.php\/roll-of-the-dice-album-by-album\/\">full index<\/a>. New entries every week!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Is a discarded fifty-years-old, thirty-minutes-long opus really the secret origin of &#8220;Kitty&#8217;s Back,&#8221; &#8220;Cadillac Ranch,&#8221; and &#8220;One Step Up?&#8221; Just listen and decide for 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And more than any other song in Bruce's catalog, no two performances are alike.","rel":"","context":"In &quot;Roll of the Dice&quot;","block_context":{"text":"Roll of the Dice","link":"https:\/\/estreetshuffle.com\/index.php\/category\/roll-of-the-dice\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2022\/01\/kitty.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2022\/01\/kitty.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2022\/01\/kitty.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2022\/01\/kitty.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2022\/01\/kitty.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":13399,"url":"https:\/\/estreetshuffle.com\/index.php\/2019\/10\/05\/roll-of-the-dice-angels-blues\/","url_meta":{"origin":6175,"position":1},"title":"Roll of the Dice: Angel&#8217;s Blues","author":"Ken","date":"October 5, 2019","format":false,"excerpt":"Is \"Angel's Blues\" the missing link in \"Thunder Road's\" lineage? You decide, but one thing's for certain: this mysterious Springsteen original disappeared as soon as it debuted.","rel":"","context":"In &quot;Roll of the Dice&quot;","block_context":{"text":"Roll of the Dice","link":"https:\/\/estreetshuffle.com\/index.php\/category\/roll-of-the-dice\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2019\/10\/angelsblues-2.jpg?fit=630%2C630&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2019\/10\/angelsblues-2.jpg?fit=630%2C630&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2019\/10\/angelsblues-2.jpg?fit=630%2C630&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":54391,"url":"https:\/\/estreetshuffle.com\/index.php\/2024\/09\/14\/roll-of-the-dice-secret-to-the-blues\/","url_meta":{"origin":6175,"position":2},"title":"Roll of the Dice: Secret to the Blues","author":"Ken","date":"September 14, 2024","format":false,"excerpt":"The Bruce Springsteen Band morphed into the E Street Band so naturally that for all of 1973 and half of 1974, no one seemed to notice or care that the band was between names. But while the band's personnel might have moved seamlessly to E Street, the same can't be\u2026","rel":"","context":"In &quot;Roll of the Dice&quot;","block_context":{"text":"Roll of the Dice","link":"https:\/\/estreetshuffle.com\/index.php\/category\/roll-of-the-dice\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2024\/09\/0_kY9q5e9blrLBaPFT.jpg?fit=1200%2C768&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2024\/09\/0_kY9q5e9blrLBaPFT.jpg?fit=1200%2C768&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2024\/09\/0_kY9q5e9blrLBaPFT.jpg?fit=1200%2C768&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2024\/09\/0_kY9q5e9blrLBaPFT.jpg?fit=1200%2C768&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2024\/09\/0_kY9q5e9blrLBaPFT.jpg?fit=1200%2C768&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":28158,"url":"https:\/\/estreetshuffle.com\/index.php\/2021\/06\/21\/roll-of-the-dice-girlfriend-blues\/","url_meta":{"origin":6175,"position":3},"title":"Roll of the Dice: Girlfriend Blues","author":"Ken","date":"June 21, 2021","format":false,"excerpt":"This remarkable (and remarkably clear) 1970 blues is marred only by Bruce's cringe-y (but historically significant) on-stage story.","rel":"","context":"In &quot;Roll of the Dice&quot;","block_context":{"text":"Roll of the Dice","link":"https:\/\/estreetshuffle.com\/index.php\/category\/roll-of-the-dice\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2021\/06\/gfblues.png?fit=1200%2C712&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2021\/06\/gfblues.png?fit=1200%2C712&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2021\/06\/gfblues.png?fit=1200%2C712&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2021\/06\/gfblues.png?fit=1200%2C712&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2021\/06\/gfblues.png?fit=1200%2C712&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":9382,"url":"https:\/\/estreetshuffle.com\/index.php\/2019\/04\/20\/roll-of-the-dice-goin-down-slow\/","url_meta":{"origin":6175,"position":4},"title":"Roll of the Dice: Goin&#8217; Down Slow","author":"Ken","date":"April 20, 2019","format":false,"excerpt":"In the early Steel Mill era, Bruce and the band closed their shows with a sexy band showcase called \"Goin' Down Slow.\" Take a listen inside.","rel":"","context":"In &quot;Roll of the Dice&quot;","block_context":{"text":"Roll of the Dice","link":"https:\/\/estreetshuffle.com\/index.php\/category\/roll-of-the-dice\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/estreetshuffle.com\/wp-content\/uploads\/2019\/04\/downslow.jpg?fit=225%2C225&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10187,"url":"https:\/\/estreetshuffle.com\/index.php\/2019\/05\/30\/roll-of-the-dice-secret-garden\/","url_meta":{"origin":6175,"position":5},"title":"Roll of the Dice: Secret Garden","author":"Ken","date":"May 30, 2019","format":false,"excerpt":"\"Secret Garden\" is one of Bruce's best love songs. 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