{"id":3760,"date":"2018-08-20T05:00:51","date_gmt":"2018-08-20T12:00:51","guid":{"rendered":"http:\/\/estreetshuffle.com\/?p=3760"},"modified":"2022-12-28T06:17:31","modified_gmt":"2022-12-28T14:17:31","slug":"roll-of-the-dice-the-brokenhearted","status":"publish","type":"post","link":"https:\/\/estreetshuffle.com\/index.php\/2018\/08\/20\/roll-of-the-dice-the-brokenhearted\/","title":{"rendered":"Roll of the Dice: The Brokenhearted"},"content":{"rendered":"<p>Among the many things I&#8217;m grateful to Bruce for: he wears his influences on his sleeve.<\/p>\n<p>Over the years, interviewers have covered most of Bruce&#8217;s catalog with him, so there&#8217;s a pretty good historical record to draw from when I write these essays. But every once in a while, the dice assign me a relative obscurity and I&#8217;m on my own.<\/p>\n<p>But one listen to &#8220;The Brokenhearted&#8221; tells you pretty much everything you need to know. If Roy Orbison fronting The Drifters doesn&#8217;t come immediately to mind, you weren&#8217;t paying close attention.<\/p>\n<p>&#8220;The Brokenhearted&#8221; is a gorgeous torch song and almost certainly an homage to two of Bruce&#8217;s influences: his soaring vocals are clearly mimicking Orbison&#8217;s style, and the mariachi melody (complete with horns) are evocative of &#8220;<a href=\"http:\/\/estreetshuffle.com\/index.php\/2018\/01\/23\/cover-me-spanish-harlem\/\">Spanish Harlem,<\/a>&#8220;which Bruce had performed in concert a few years earlier.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"758\" height=\"427\" src=\"https:\/\/www.youtube.com\/embed\/YvilYiGDmoM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>So figuring out what Bruce was going for was the easy part. The hard part is untangling its convoluted history.<\/p>\n<p>The historical record indicates that Bruce first recorded &#8220;The Brokenhearted&#8221; on November 29, 1977 during the\u00a0<a href=\"https:\/\/estreetshuffle.com\/index.php\/2022\/07\/05\/album-companion-darkness-on-the-edge-of-town\/\"><em>Darkness on the Edge of Town<\/em><\/a> sessions. That original recording has never surfaced.<\/p>\n<p>The audio above comes from Bruce&#8217;s 2010 double album,\u00a0<em>The Promise,\u00a0<\/em>which is sort of an alternate-universe\u00a0<em>Darkness on the Edge of Town,<\/em> comprised entirely of unreleased outtakes from those sessions.<\/p>\n<p>However, the song clearly had some modern work done on it, from the subtle overlay of a horn section to the jarring modern vocals in the coda. Bruce&#8217;s 2010 voice is markedly more gruff than his 1977 voice, and the abrupt switchover from Orbison croon to Springsteen growl\u00a0 is unnerving&#8211;it always takes me out of the song.<\/p>\n<p>It&#8217;s also hard to know if Bruce edited the song or changed the lyrics when he replaced the ending vocals, because we actually do have a single contemporary artifact for comparison: Bruce and the E Street Band played the song during a rehearsal session in Asbury Park on May 19, 1978. But oddly, the lyrics don&#8217;t match up\u00a0<em>at all<\/em> with the released version&#8211;in fact, most of them sound bluffed. That&#8217;s strange, considering the vocal that we listen to today was recorded months prior&#8211;so perhaps Bruce hadn&#8217;t planned to play it that day and couldn&#8217;t remember the lyrics, or perhaps he worked on the song subsequently during sessions that haven&#8217;t been documented. Regardless, it&#8217;s an unexplained one-off that&#8217;s still worth listening to&#8211;especially to hear what the coda\u00a0<em>should<\/em> have sounded like:<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"758\" height=\"427\" src=\"https:\/\/www.youtube.com\/embed\/6Z1orxaa5Nw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>Ah, what I&#8217;d give to hear that original tape. But for now at least, we&#8217;ll have to stick with the George Lucas special edition.<\/p>\n<p style=\"padding-left: 30px;\"><em>Well darling, oh won&#8217;t you come a little closer<\/em><br \/>\n<em>I promise pretty darling, I didn&#8217;t know what I was saying<\/em><br \/>\n<em>And now I&#8217;m praying that you won&#8217;t say it&#8217;s over<\/em><br \/>\n<em>Come here pretty baby and rest your head upon my shoulder<\/em><br \/>\n<em>Just one kiss and we started<\/em><br \/>\n<em>Now don&#8217;t leave me to the brokenhearted, the brokenhearted, the brokenhearted<\/em><br \/>\n<em>And tell me that you need me<\/em><\/p>\n<p>Lyrically, &#8220;The Brokenhearted&#8221; is well-trod Springsteenian territory: from classics like &#8220;<a href=\"http:\/\/estreetshuffle.com\/index.php\/2018\/04\/28\/roll-of-the-dice-fade-away\/\">Fade Away<\/a>&#8221; and &#8220;<a href=\"http:\/\/estreetshuffle.com\/index.php\/2019\/11\/10\/roll-of-the-dice-back-in-your-arms\/\">Back in Your Arms<\/a>&#8221; to unreleased outtakes like &#8220;<a href=\"http:\/\/estreetshuffle.com\/index.php\/2018\/03\/29\/roll-of-the-dice-baby-come-back\/\">Baby Come Back<\/a>,&#8221; this is an &#8220;I done you wrong baby, I&#8217;m down on my knees baby, please take me back baby&#8221; song&#8211;and it&#8217;s clear from the first verse that this time at least, it was the protagonist&#8217;s big mouth that put him in the doghouse, rather than his actions.<\/p>\n<p>The singer is relatively even-keeled here, using plain language unadorned of any metaphor, conveying that he doesn&#8217;t yet realize how much deep water he&#8217;s in. Bruce establishes a neat device, adding a stem to the chorus (&#8220;and tell me that you need me&#8221;) that will grow with each chorus, signifying the singer&#8217;s increasing desperation.<\/p>\n<p style=\"padding-left: 30px;\"><em>Well now baby, the lonely nights keep growing longer<\/em><br \/>\n<em>And my love for you just keeps growing stronger<\/em><br \/>\n<em>Like a wheel of chance so endlessly turning<\/em><br \/>\n<em>My fate lay in your hands, my heart forever burning<\/em><br \/>\n<em>In a sweet fire your kiss started<\/em><br \/>\n<em>Now don&#8217;t leave me to the brokenhearted, the brokenhearted, the brokenhearted<\/em><br \/>\n<em>And tell me that you love me<\/em><br \/>\n<em>Tell me that you want me, girl<\/em><\/p>\n<p>See how Bruce introduces metaphor here? The wheel of chance, the burning heart, the sweet fire of his love&#8217;s kiss&#8211;he&#8217;s getting a bit worked up now, and the double-stemmed chorus launches into an apology bridge:<\/p>\n<p style=\"padding-left: 30px;\"><em>The cruel mistakes I&#8217;ve made, the hard price that I&#8217;ve paid<\/em><br \/>\n<em>For the good times and for laughter<\/em><br \/>\n<em>Girl, I should&#8217;ve known for the indifference that I&#8217;ve shown<\/em><br \/>\n<em>I&#8217;d pay forever after<\/em><\/p>\n<p>Now Bruce brings it home, begging her to recognize that he&#8217;s aware of his mistakes and owning up to them&#8211;hoping against hope that she wants to give him another chance.<\/p>\n<p style=\"padding-left: 30px;\"><em>And darling, now all I&#8217;m trying to say is passion<\/em><br \/>\n<em>And love, they have a way of slipping into blackness<\/em><br \/>\n<em>Uncared for of slipping away<\/em><br \/>\n<em>The deck is cut, the cards turned, the hand is played<\/em><br \/>\n<em>And all we ever hope for burns to ashes and drifts away<\/em><br \/>\n<em>Now don&#8217;t let our love slip into this darkness<\/em><br \/>\n<em>Don&#8217;t leave me to the brokenhearted, the brokenhearted, the brokenhearted<\/em><br \/>\n<em>And tell me that you love me<\/em><br \/>\n<em>Tell me that you need me<\/em><br \/>\n<em>Tell me that you love me<\/em><br \/>\n<em>Tell me that you want me<\/em><br \/>\n<em>Tell me that you need me<\/em><br \/>\n<em>Tell me that you want me<\/em><br \/>\n<em>Tell me that you love me<\/em><br \/>\n<em>Yeah tell me that you love me<\/em><br \/>\n<em>Tell me that you love me<\/em><br \/>\n<em>Tell me that you want me<\/em><br \/>\n<em>And come on now daring<\/em><br \/>\n<em>Say it right now baby<\/em><br \/>\n<em>Say it right now darling<\/em><br \/>\n<em>Tell me that you love me<\/em><\/p>\n<p>That extended coda <em>makes<\/em> the song, fading to black on Bruce&#8217;s incessant but fruitless pleading.\u00a0 Which is why it maddens me that Bruce tinkered with it before releasing it on\u00a0<em>The Promise.\u00a0<\/em>What should be tragic tale of an indifferent lover gone one step too far suddenly feels like a brand new singer takes over the song.<\/p>\n<p>Also: scroll back up and listen to the coda in the rehearsal version again. In that version, Bruce cries over and over again: &#8220;Baby it hurts!&#8221; &#8212; a much more pathetic outro. It strikes me as odd that Bruce would mis-remember that part while performing it (even in rehearsal), which makes me strongly suspect that the reason Bruce replaced the coda vocals wasn&#8217;t because they didn&#8217;t exist, or due to some flaw in the recording&#8211;I think he just didn&#8217;t like the way the narrator came across as pathetic rather than desperate.<\/p>\n<p>I actually don&#8217;t take issue with that assessment&#8211;in fact, I agree with it. The modern coda is much better lyrically. I just don&#8217;t think the trade-off was worth it. It&#8217;s the Springsteen equivalent of &#8220;Han shot first&#8221; &#8212; it may be more in keeping with the author&#8217;s notion of the character, but it&#8217;s awfully distracting every time we encounter that moment.<\/p>\n<p>It&#8217;s hard to know how Bruce ultimately feels about &#8220;The Brokenhearted,&#8221; because so far, he&#8217;s only played it once in concert, during a promotional show in 2010 for the release of\u00a0<em>The Promise.\u00a0<\/em>It&#8217;s on my chase list, though&#8211;I&#8217;d love to hear it performed intact.<\/p>\n<p><strong>The Brokenhearted<\/strong><br \/>\n<strong>Recorded:<\/strong> November 29, 1977 (plus additional work in 2010)<br \/>\n<strong>Released:\u00a0<\/strong><em>The Promise<\/em> (2010)<br \/>\n<strong>First performed:<\/strong> December 7, 2010 (Asbury Park, NJ)<br \/>\n<strong>Last performed:<\/strong> December 7, 2010 (Asbury Park, NJ)<\/p>\n<p>Looking for your favorite Bruce song? Check our <a href=\"http:\/\/estreetshuffle.com\/index.php\/roll-of-the-dice-album-by-album\/\">full index<\/a>. New entries every week!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The Brokenhearted&#8221; is Roy Orbison meets The Drifters, and 1977 Bruce meets 2010 Bruce. The style mash-up works, the vocal graft not so much.<\/p>\n","protected":false},"author":1,"featured_media":4077,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3],"tags":[974,230],"class_list":["post-3760","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-roll-of-the-dice","tag-the-brokenhearted","tag-the-promise"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- 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