Recorded too late to become the hit it should have been, “Don’t Look Back” is one of Bruce’s rarest and hardest-rocking anthems. Let’s take a look at its evolution inside.
Tag: Tracks
Lyrically slight and melodically malleable, “Does This Bus Stop at 82nd Street” is an early songwriting exercise that improbably became a fan favorite.
This Tunnel of Love outtake is the mirror image of “Valentine’s Day,” an artfully and subtly constructed escape fantasy that would have been a perfect fit on the album.
Dark, brooding, and haunting, “Wages of Sin” is one of Bruce’s bleakest and finest outtakes. Backstory, evolution, analysis, and one gorgeous performance inside.
Originally entitled “Small Town Girl,” this unusual Born in the U.S.A. outtake makes for a fine honky-tonk companion song to “Darlington County.”
Bruce has grappled with feelings of isolation and alienation through song for decades, but “Loose Change” may be the most artful and hopeful example. Let’s take a close listen.
“Brothers Under the Bridges” is a Born in the U.S.A. outtake bristling with youth and yearning–but it foreshadows Bruce’s twelve-years-later sequel.
Patiently romantic or cruelly manipulative? Read my take on Bruce’s one and only single from Tracks inside.
Bruce re-wrote Roy Orbison’s classic “Oh, Pretty Woman,” giving the title character a name and a more realistic ending. Insights and rare performances inside.
It may be pink, but it ain’t no car. Backstory and great performances inside.