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Tag: The Ties That Bind: The River Collection

River

Ricky Wants a Man of Her Own

Posted on July 22, 1980September 22, 2026 by Ken

“Ricky Wants a Man of Her Own” is a fun, poppy outtake from the River sessions–guaranteed to make you smile (unless you’re a parent to a teenage girl, in which case you’ll wince).

River

Living on the Edge of the World

Posted on July 20, 1980September 22, 2026 by Ken

“Living on the Edge” is a glorious hot mess of a song. An unreleased outtake until 1998, it nevertheless spawned no less than three officially released Springsteen originals along the way.

River

Mr. Outside

Posted on July 15, 1980September 22, 2026 by Ken

The curious case of a bootleg turned official release (and the mystery of why bother).

River

Party Lights

Posted on July 12, 1980September 22, 2026 by Ken

Part “Point Blank” and part “Jersey Girl,” this River outtake is much more than the sum of its parts.

River

Whitetown

Posted on July 10, 1980September 22, 2026 by Ken

Bruce fakes us out with this River outtake that sounds more like a Working on a Dream outtake.

River

Night Fire

Posted on July 9, 1980September 20, 2026 by Ken

When “Night Fire” finally saw the light of day,it turned out to be a lesser version of “Point Blank.” But what was it meant to be originally?

River

The Time That Never Was

Posted on July 8, 1980September 20, 2026 by Ken

 A true hidden gem from the Darkness/River era that should have seen an official release long before.

River

Little White Lies

Posted on July 7, 1980September 20, 2026 by Ken

“Little White Lies” is a thematic analogue to “Stolen Car” and forerunner to “Brilliant Disguise” — a fascinating outtake from The River sessions.

River

The Man Who Got Away

Posted on July 6, 1980September 20, 2026 by Ken

“The Man Who Got Away” is a terrific piece of sleight-of-hand songwriting that should never have been allowed to get away.

River

Meet Me in the City

Posted on July 5, 1980September 20, 2026 by Ken

“Meet Me in the City” didn’t make it on The River, but it’s still the perfect, meta summation of Bruce’s landmark album.

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