One-man cover band Errol Beutell tackles “Born to Run,” playing all the parts himself—and it’s pretty darn impressive.
Author: Ken
At an impromptu soundcheck-turned-preshow, Bruce, Southside, and friends play a loose, fun cover of a Hank Williams classic.
How do you break down a song when the songwriter is an unreliable source? You just dive right in and listen. Let’s cut through the mystery of “Harry’s Place” and explore the heart of the song.
A late, last-minute sign request leads to an ever-after show-closing encore.
They may be new, but they’re great. New York-based Racketeers nails Bruce’s “Atlantic City” in a beautiful homage to the original album arrangement.
Omitting this stunning street romance from Greetings From Asbury Park was a ballroom crime. Take a close listen to this misunderstood lost classic inside.
One time only: Bruce joins Joe Grushecky and The Houserockers on a blistering cover of The Rolling Stones’ anthem “Gimme Shelter.”
A tale of two versions of the same song. One ranks near the top of Bruce’s catalog, the other near the bottom. Find out which is which (and why) inside.
Time will tell if he’s really the new Springsteen, but up-and-comer Sam Fender certainly does the old Springsteen justice in his cover of “Born in the U.S.A.”
Bruce re-wrote Roy Orbison’s classic “Oh, Pretty Woman,” giving the title character a name and a more realistic ending. Insights and rare performances inside.