One of the more curious of Bruce’s work-in-progress River-era home demos, “Stockton Girls” offers an inside look at a songwriter striving to bring a theme to life.
Author: Ken
Many, many times–but almost always in small clubs: Bruce rocks the house with a cover of Chuck Berry’s classic B-side, “Around and Around.”
This Tunnel of Love outtake is the mirror image of “Valentine’s Day,” an artfully and subtly constructed escape fantasy that would have been a perfect fit on the album.
From November 2019, Barney Bentall and the Cariboo Express gift us with their superb cover of Bruce’s instant classic, “Moonlight Motel.”
Bruce’s revealing, healing “Family Song” shines a light into his glossed-over reconciliation with his family in the winter of 1971-72.
One time only: Bruce backs a special Wonder Bar house band of local legends on a cover of Darrell Glenn’s classic “Crying in the Chapel.”
Years before he openly confessed his lifelong battle with depression, Bruce hid it in plain sight as the centerpiece of his Wrecking Ball album.
At a special tribute radio show on the occasion of Bruce’s 70th birthday, Springsteen fans The Head and The Heart closed the show with their lovely cover of “Hungry Heart.”
In 2010, an on-line auction site featured a page of untitled, original early Springsteen lyrics. Despite the deceptively provocative name they assigned, “Vaginal Vandals” is a fascinating seed of what might have developed into an early tale of youthful rebellion.
One time only: Bruce invites original recording artist Martha Reeves to join the E Street Band for one of her greatest hits, Motown classic “Heat Wave.”